Flowers (Watercolors) - Hannah Hoffman

Ann Craven
Flowers (Watercolors)
06.04.22 – 07.09.22

Images, Information, Inquire,

Installation view: Ann Craven, Flowers (Watercolors). 06.04.22 – 07.09.22

Ann Craven, Grocery Store Flowers (on Orange, Red Cherries, White St, May 1, 2022), 2022, 2022. Watercolor on Arches paper. Paper Dimensions: 26 x 20 inches (66 x 50.8 cm). Framed dimensions 28 x 22 inches

Ann Craven, Grocery Store Flowers (on Black, Red Cherries, White St, May 1, 2022), 2022, 2022. Watercolor on Arches paper. Paper Dimensions:26 x 20 inches (66 x 50.8 cm). Framed dimensions 28 x 22 inches

Ann Craven, Sunset Peony (White St, May 7, 2022), 2022, 2022. Watercolor on Arches paper. Paper Dimensions: 13 x 10 inches (33 x 25.4 cm). Framed dimensions 17 x 13 inches

Ann Craven, Yellow Rose (Light through Queen Ann’s Lace, White St, May 8, 2022), 2022, 2022. Watercolor on Arches paper. Paper Dimensions: 13 x 10 inches (33 x 25.4 cm). Framed dimensions 17 x 13 inches

Ann Craven, Red Rose (Light through Queen Ann’s Lace, White St, May 8, 2022), 2022, 2022. Watercolor on Arches paper. Paper Dimensions: 13 x 10 inches (33 x 25.4 cm). Framed dimensions 17 x 13 inches

Installation view: Ann Craven, Flowers (Watercolors). 06.04.22 – 07.09.22

Ann Craven, White Roses (Black and White Fade, White St, May 5, 2022), 2022, 2022. Watercolor on Arches paper. Paper Dimensions: 22.5 x 15 inches (57.2 x 38.1 cm). Framed dimensions 24.5 x 17 inches

Ann Craven, Grocery Store Flowers (on Blue, Red Cherries, White St, May 3, 2022), 2022, 2022. Watercolor on Arches paper. Paper Dimensions: 22.5 x 15 inches (57.2 x 38.1 cm). Framed dimensions 24.5 x 17 inches

Ann Craven, Moonlight Brown-Eyed Susans (White St, May 3, 2022), 2022, 2022. Watercolor on Arches paper. Paper Dimensions: 22.5 x 15 inches (57.2 x 38.1 cm). Framed dimensions 24.5 x 17 inches

Ann Craven, Roses (on Red with Hollyhock’s, White St, May 4, 2022), 2022, 2022. Watercolor on Arches paper. Paper Dimensions: 22.5 x 15 inches (57.2 x 38.1 cm). Framed dimensions 24.5 x 17 inches

Installation view: Ann Craven, Flowers (Watercolors). 06.04.22 – 07.09.22

Ann Craven, Sunset Peonies (White St, May 7, 2022), 2022, 2022. Watercolor on Arches paper. Paper Dimensions: 13 x 10 inches (33 x 25.4 cm). Framed dimensions 17 x 13 inches

Ann Craven, Red Dahlias (for the Moon, White St, March 30, 2022), 2022, 2022. Watercolor on Arches Paper. Paper Dimensions: 13 x 10 inches (33 x 25.4 cm). Framed Dimensions 17 x 13 inches

Ann Craven, Rose (for the Pink Moon, White St, May 9, 2022), 2022, 2022. Watercolor on Arches paper. Paper Dimensions: 13 x 10 inches (33 x 25.4 cm). Framed dimensions 17 x 13 inches

Installation view: Ann Craven, Flowers (Watercolors). 06.04.22 – 07.09.22

Ann Craven, Red Dahlias (for the Moon, Again, White St, April 1, 2022), 2022, 2022. Watercolor on Arches paper. Paper Dimensions: 26 x 20 inches (66 x 50.8 cm). Framed dimensions 28 x 22 inches

Installation view: Ann Craven, Flowers (Watercolors). 06.04.22 – 07.09.22

Ann Craven, Roses (on Blue with Red Tree, White St, March 24, 2022), 2022, 2022. Watercolor on Arches paper. Paper Dimensions: 26 x 20 inches (66 x 50.8 cm). Framed dimensions 28 x 22 inches

Installation view: Ann Craven, Flowers (Watercolors). 06.04.22 – 07.09.22

Ann Craven, Red Dahlias (for the Moon, Again, Again, White St, April 1, 2022), 2022, 2022. Watercolor on Arches paper. Paper Dimensions: 26 x 20 inches (66 x 50.8 cm). Framed Dimensions: 28 x 22 inches

Ann Craven, Sunset Brown-Eyed Susan’s with Spring Weeds, (White St, May 6, 2022), 2022, 2022. Watercolor on Arches paper. Paper Dimensions: 22.5 x 15 inches (57.2 x 38.1 cm). Framed dimensions 24.5 x 17 inches

Installation view: Ann Craven, Flowers (Watercolors). 06.04.22 – 07.09.22

Exhibition information

Hannah Hoffman Gallery is pleased to present Flowers (Watercolors), a solo exhibition of new works by Ann Craven, who lives and works in New York City and summers in Cushing, Maine.

“I learned how to paint by looking, by looking at something in the round and painting it,” Craven insisted last year in a conversation with her friend, the painter Lois Dodd. “I’ve always struggled with the idea that I just want to paint what I’m looking at and abandon all these sort of smart-ass things I try to do with birds and stuff [laughs] ….”* Forthright, witty, and self-aware, Craven’s comments hint at the heady mix of contradictions at the heart of her work. Her signature subjects birds, other animals, flowers, the moon – draw on direct observation as well as an expansive, personally curated archive of preexisting images.

For more than three decades, Craven has worked to dismantle the distinction between subjectively expressive art making and the ordered, cerebral practices often grouped under the heading of conceptual practice. She combines ostensibly lighthearted subject matter and a captivating handling of paint with a rule-bound, systematic approach to features like the size and titles of her compositions.

Craven’s effervescent palette and expert paint handling are evidence of her ability to get lost in the visual and textural pleasures of painting. Yet, when viewed together, her works also reveal a deliberate, iterative thinker. Craven’s mind is at once wholly engaged in the moment of making and keenly aware of the way the past always pierces the present. Her subjects exist in a temporal continuum–one that calls forth the purposeful workings and reworkings at the heart of a studio practice and the more mysterious machinations of visual and emotional memory.
The current exhibition features 18 new watercolors, all flowers, a medium particularly wellsuited to her concentration on the objects before her eyes and the drama of color on paper.

Ann Craven presented her first retrospective, titled TIME and curated by Yann Chevalier, at Le Confort Moderne in Poitiers, France in 2014. Recent solo exhibitions include Karma, New York (2021); the Center for Maine Contemporary Art, Rockland, Maine (2019); Shane Campbell Gallery, Chicago (2019); Karma, New York (2018); Southard Reid, London (2017); Maccarone, New York (2016); among others. Craven’s paintings are in the public collections of the Museum of Modern Art, New York, New York; Whitney Museum of American Art, New York, New York; Colby College Museum of Art, Waterville, Maine; Farnsworth Art Museum, Rockland, Maine; and the Museum of Contemporary Art, Chicago, Illinois, among others. Craven’s work is currently on display in the 2022 New England Triennial which spans two museum venues—deCordova Sculpture Park and Museum and Fruitlands Museum.

* “It’s Going to Take Some Time”. Lois Dodd in conversation with Ann Craven. Animals Birds Flowers Moons, published by Karma, New York, 2021

Past exhibitions