Artists Exhibitions Hannah Hoffman News Fairs

Now on view



Monica Majoli
Space of the Line: Ben, Rameses, Tom
09.12.23 – 10.14.23

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Installation view: Monica Majoli, Space of the Line: Ben, Rameses, Tom. 09.12.23 – 10.14.23

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Installation view: Monica Majoli, Space of the Line: Ben, Rameses, Tom. 09.12.23 – 10.14.23

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Monica Majoli, Playguy (Ben), 2023. Watercolor woodcut transfer on paper. Framed dimensions: 54 1/2 x 78 3/8 inches (138.4 x 199.1 cm)

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Installation view: Monica Majoli, Space of the Line: Ben, Rameses, Tom. 09.12.23 – 10.14.23

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Installation view: Monica Majoli, Space of the Line: Ben, Rameses, Tom. 09.12.23 – 10.14.23

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Monica Majoli, Blueboy (Rameses), 2023. Watercolor woodcut transfer on paper. Framed dimensions: 72 3/8 x 61 1/2 inches (183.8 x 156.2 cm)

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Installation view: Monica Majoli, Space of the Line: Ben, Rameses, Tom. 09.12.23 – 10.14.23

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Installation view: Monica Majoli, Space of the Line: Ben, Rameses, Tom. 09.12.23 – 10.14.23

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Monica Majoli, Blueboy (Tom), 2023. Watercolor woodcut transfer on paper. Framed dimensions: 56 x 80 3/4 inches (142.2 x 205.1 cm)

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Exhibition information

‘We will end up less than sketches,’ Amy Gerstler once wrote, perfectly concerned with life’s fraught relationship to the line. Like so, Monica Majoli intuits contour as what’s impressed onto history, knowing, all the same, that few lives settle as record. She knows, that is, that here we are in the world with our anatomical hearts weighing us down with all that’s seen and felt, becoming richer and richer in experience, and still just steadily moving towards the end of our line. Everything is stacked and packed away at the end. Then what? Then nothing, no motif for our movements, nothing to make sense of the succession of events, but in the fact of the record, in the volumes of traces, marks, and impressions, that are part of life, and yet not exactly it.


Majoli’s woodblock prints move us to think into the recorded image as a form of intimacy found within a lost past. It bears noting that the word ‘record’ itself alludes to an inward turn: the ‘re-’ marking on memory, revised, and ‘-cord’ hailing the Latin ‘cordium’ for heart. Life, in the record, is built-up backwards, inwards—as inverted image, holding a place within the past. Still, the record only exists to us as emblem, image, icon, and so is shown to belong to the present. That is, it reflects not life, but life with the blanks left in: x marking the spot. Like initials scratched into bark, meaning is signified as inlaid. The printed image reverses contour as pure space, that contains and conceals meaning in volume, inside. It reflects on what is currently present. Like so, the recorded image takes place in the moment of its encounter. It pours attention and meaning into what passes through, across, inside, per what Catherine Ingraham has called “the power of the abbreviation (the opening provided by the shortfall, the epigram, the mark).”


Consider what is contained in Majoli’s names, titles: (Blueboy) Rameses (2023), (Blueboy) Tom (2023), (Playguy) Ben (2023). The proper names are stand-ins for a parenthetical place in time, recovered in the act of evocation, in the byline. These men no longer exist but in the fact of the record, in the moment liberated from time. Names act analogical to the printed image, holding space inside inverted lines that pour with distance, volume, interior. The absent contour stands in for everything that is not the contour, that could never be the contour. Omission turns us to the tactile, the textured thing of a life. Fireplaces, brick walls, and flowers, like bodies, hold their own in absentia of clear outline. Figures share an emotional valence with the softness of space.


For the record: Hannah Hoffman’s house was designed by architect Paul Williams (1952) who was said to have drafted all his blueprints upside down, as inverted images. It was, on one hand, a gesture developed in anticipation of clients who felt uncomfortable seated next to a Black man. But Williams called it his ‘sleight of hand’: a trick performed to open space between himself and his clients, drawing a relation, and so connecting through common lines. This particular inversion marks the crucial politic in Majoli’s vacated line. The artist is concerned with all that’s ferried in the omission. But she also knows that to fill the gaps would be a mistake. The recorded image faces us to lost information, irreparable rifts, cut connections, wounds, breakups, and pauses. Things lost, and disoriented in time. And in all these absences, a sudden knowing. To fill the space would betray the loss, the life. We strain to recover the blanks in history—and risk falling into the abstract.


In other words, what the record shows is what it holds: passing desires, the fleeting moment, changes of heart. Majoli opens the line as a space at once abstract and articulated: the record made fully present.


– Sabrina Tarasoff


Monica Majoli was born in 1963 in Los Angeles. She is primarily a painter deeply invested in the traditions of the medium while exploring subjects tied to sex, sexuality, power, and alternative lifestyles such as BDSM. Her work often depicts scenes of sexual fetishism, a theme that serves as a decoy for larger underlying political concerns. In her earlier works Majoli utilized traditional oil-painting techniques to render detailed and realistic homoerotic scenes that included her own body. While these works were pointed and confrontational in their imagery, she describes them as being less about the acts they portray and more about the social and psychological consequences and context of such acts. Since 2015 she has been developing a series titled Blueboys, named after one of the earliest gay men’s magazines in the U.S., founded by Donald N. Embinder and published in Florida from 1974 to 2007. In these works Majoli scales up images culled from the magazine through a white-line woodcut technique developed in Provincetown, Massachusetts, in the early twentieth century, primarily by women printmakers who were influenced by traditional Japanese woodcuts. Majoli has had solo presentations at Galerie Buchholz, New York (2019); Air de Paris, Paris (2014); Gagosian Gallery, New York (2006); and Feature Inc., New York (1998). Notable group exhibitions include Hammer Museum, Los Angeles (2020, 2007); San Francisco Museum of Modern Art (2017); Museum of Modern Art, New York (2011, 2009); and Whitney Biennial, Whitney Museum of American Art, New York (2006), among others.


Her work is in the public collections of Museum of Modern Art, New York, NY; The Whitney Musuem of American Art, New York, NY; San Francisco Museum of Modern Art, San Francisco, CA; Hammer Museum, Los Angeles, CA; The Getty Research Institute, Los Angeles, CA; Los Angeles County Museum of Art, Los Angeles, CA; Pinault Collection, Paris, France, The Grunwald Center, Hammer Museum.


Past exhibitions

Tony Cokes
Della’s House
02.12.19 – 03.22.19

D’Ette Nogle
D’Ette Nogle, 2019
01.29.19 – 04.27.19


03.30.24 – 06.04.24


D’Ette Nogle
02.23.24 – 02.24.24

Kate Mosher Hall
Never Odd or Even
02.17.24 – 03.23.24


Rosemary Mayer
Noon Has No Shadows
11.12.23 – 12.23.23

Monica Majoli
Space of the Line: Ben, Rameses, Tom
09.12.23 – 10.14.23

Luz Carabaño

09.09.23 – 10.21.23

Dominique Knowles
My Beloved
06.03.23 08.05.23

Olga Balema

04.08.23 05.20.23

Darrel Ellis
01.28.23 03.18.23


Elaine Cameron-Weir
Exploded View / Dressing for Windows
11.12.22 – 01.14.23

Sarah Pucci and Dorothy Iannone
Organized by Scott Portnoy
09.10.22 – 10.22.22

Sweet Days of Discipline
07.16.22 – 08.20.22

Ann Craven
Flowers (Watercolors)
06.04.22 – 07.09.22

Puppies Puppies (Jade Guanaro Kuriki-Olivo)
04.16.22 – 05.21.22

Rochelle Feinstein
You Again
02.12.22 – 03.26.22


Raphaela Simon
12.11.21 – 01.29.22

Anita Steckel
09.11.21 – 11.13.21

Tony Cokes
Evil.80 Empathy?
06.28.21 – 08.1.21

Talia Chetrit
06.19.21 – 08.14.21

Kate Mosher Hall
Without a body, without Bill
02.20.21 – 04.24.21


Alvin Baltrop
11.21.20 – 01.23.21

Hardy Hill
The Easy Yoke
02.28.20 – 04.11.20

Barbara Kasten
02.11.20 – 04.04.20


California Winter
11.08.19 – 12.21.19

Tony Cokes
Della’s House
02.12.19 – 03.22.19

D’Ette Nogle
D’Ette Nogle, 2019
01.29.19 – 04.27.19


Adam Linder
04.28.18 – 04.29.18

Gallery Share
03.04.18 – 03.31.18

D’Ette Nogle
Wardrobe Selections for Gallery (2013-2018)
03.04.18 – 03.31.18


Andy Robert
LAKOU: One, Two, Fifth
12.15.17 – 02.28.18

Elaine Cameron-Weir
wave form walks the earth
09.17.17 – 11.22.17

Rey Akdogan
07.08.17 – 08.26.17

Joe Zorrilla
Condo New York, hosted by Bortolami Gallery
06.29.17 – 07.28.17

Curated by Justin Beal
05.21.17 – 06.24.17

Ryan Mrozowski
03.18.17 – 04.29.17

Olga Balema
On The Brink Of My Sexy Apocalypse
01.25.17 – 03.11.17


Paul Thek
11.12.16 – 01.07.17

Sam Falls
09.16.16 – 10.29.16

Barbara Kasten
“I want the eyes to open” – Josef Albers
07.23.16 – 09.10.16

A Change of Heart
Curated by Chris Sharp
06.04.16 – 07.16.16

Ben Schumacher
Motor Earth
04.02.16 – 05.21.16

Raphaela Simon
Tischlein deck dich
04.02.16 – 05.21.16

Isabelle Cornaro
01.23.16 – 03.19.16


Daniel Buren, Sam Lewitt, Wilfredo Prieto, Charles Ray, Pamela Rosenkranz, Joe Zorrilla
11.21.15 – 01.16.16

John Finneran
Dreamers at the Gates of Where Dreamers Are
09.19.15 – 10.31.15

Margaret Lee and Emily Sundblad
You Can Teach an Old Zebra New Tricks
08.07.15 – 09.12.15

Joe Zorrilla
05.02.15 – 07.03.15

Gerhard Richter
Overpainted Photographs
03.21.15 – 04.18.15

Ryan Foerster
03.21.15 – 04.18.15

Various Artist
01.01.15 – 02.28.15


Ann Craven
11.15.14 – 12.20.14

Sam Falls
09.05.14 – 10.25.14

Matt Sheridan Smith
07.12.14 – 08.23.14

Joe Zorrilla

Isabelle Cornaro
03.04.14 – 04.19.14

Rey Akdogan
05.03.14 – 06.21.14

The Body Issue
01.11.14 – 02.15.14


Jörg Immendorff
10.04.23 – 12.07.13

Sam Falls, Jacob Kassay, Matt Sheridan Smith, Joe Zorrilla
07.23.13 – 09.21.13

Mira Schendel
Mira Schendel
05.21.13 – 07.13.13


Dominique Knowles at Klima Biennale Wien
04.06.2024 – 07.14.2024
Elaine Cameron-Weir in Frieze
Monica Majoli in Contemporary Art Quarterly Archive
Elaine Cameron-Weir in The Brooklyn Rail
Kate Mosher Hall, Juliana Halpert and Olivia Mole in Conversation
Kate Mosher Hall in Mousse
Tony Cokes and Rochelle Feinstein at Kunsthaus Baselland
04.13.2024 – 08.18.2024
Olga Balema at Hessel Museum of Art
04.06.2024 – 06.26.2024
Kate Mosher Hall in Autre
Olga Balema at Cooper Brovenick
03.15.2024 – 03.23.2024
Dominique Knowles at David Peter Francis
03.14.2024 – 04.20.2024
Kate Mosher Hall in Carla
Ann Craven at Phillida Reid
03.09.2024 – 04.13.2024
Maren Karlson in Flaunt
Elaine Cameron-Weir in Ocula
D'Ette Nogle in Interview Magazine
Elaine Cameron-Weir at Lisson gallery
03.07.2024 – 04.13.2024
Ann Craven in Artlyst
Kate Mosher Hall in Frieze Magazine
Olga Balema at Woonhuis de Ateliers
02.29.2024 – 04.20.2024
Hannah Hoffman in ARTnews
Tony Cokes at Mildred Lane Kemper Art Museum
02.23.2024 – 07.29.2024
Puppies Puppies (Jade Guanaro Kuriki-Olivo) in Family Style
Hannah Hoffman in ARTnews
Puppies Puppies (Jade Guanaro Kuriki-Olivo) in Frieze
Elaine Cameron-Weir in artnet
Tony Cokes at MUDAM
02.09.2024 – 09.08.2024
Ann Craven in Santa Barbara Independent
Tony Cokes in Hyperallergic
Puppies Puppies (Jade Guanaro Kuriki-Olivo) in MOMUS
Tony Cokes in e-Flux
Olga Balema in the New York Times
Kate Mosher Hall in Frieze
Rosemary Mayer in Artillery Magazine


Puppies Puppies (Jade Guanaro Kuriki-Olivo) in CURA
Elaine Cameron-Weir in Artnet
Rosemary Mayer in LA Review of Book
Ann Craven in the Brooklyn Rail
Puppies Puppies (Jade Guanaro Kuriki-Olivo) in BOMB Magazine
Olga Balema in the New York Times
Barbara Kasten in Artnews
Darrel Ellis in the New York Times
Rosemary Mayer in Frieze
Rosemary Mayer in Mousse
Monica Majoli in Artforum
Puppies Puppies (Jade Guanaro Kuriki-Olivo) in FAD Magazine
Dominique Knowles in Cultured
Tony Cokes at the Louisiana Museum of Modern Art
11.23.2024 – 04.01.2024
Rosemary Mayer in LA Downtown News
Rosemary Mayer in Insider
Tony Cokes in E-Flux
Puppies Puppies (Jade Guanaro Kuriki-Olivo) in Cultured
Rosemary Mayer in Hyperallergic
Tony Cokes in The Brooklyn Rail
Puppies Puppies (Jade Guanaro Kuriki-Olivo) in Numero
Darrel Ellis in OnMilwaukee
Luz Carabaño in Hyperallergic
Kate Mosher Hall in Artforum
Tony Cokes at Moderna Museet
09.30.2023 – 09.22.2024
Tony Cokes at Museion Foundation
09.30.2023 – 02.25.2024
Luz Carabaño in Flaunt
Rochelle Feinstein at Mehdi Chouakri
09.12.2023 – 11.04.2023
Puppies Puppies (Jade Guanaro Kuriki-Olivo) in NY Times
Puppies Puppies (Jade Guanaro Kuriki-Olivo) in Latina
Anita Steckel at Wonnerth Dejaco
09.08.2023 – 10.14.2023
Barbara Kasten at Bortolami
09.08.2023 – 10.28.2023
Kate Mosher Hall at Miguel Abreu
09.08.2023 – 10.21.2023
Puppies Puppies (Jade Guanaro Kuriki-Olivo) in NY Times
Dominique Knowles in Texte Zur Kunst
Tony Cokes at DIA Bridgehampton
Dominique Knowles in Elephant
Dominique Knowles in LA Times
Raphaela Simon and Andy Robert at Michael Werner Gallery
06.24.2023 – 09.09.2023
Darrel Ellis in
Tony Cokes at DIA Bridgehampton
06.23.2023 – 05.2023


Rey Akdogan Olga Balema Elaine Cameron-Weir Luz Carabaño Talia Chetrit Tony Cokes Ann Craven Darrel Ellis Rochelle Feinstein Kate Mosher Hall Maren Karlson Barbara Kasten Dominique Knowles Adam Linder D’Ette Nogle Puppies Puppies (Jade Guanaro Kuriki-Olivo) Andy Robert Raphaela Simon Anita Steckel Joe Zorrilla

Works by

Paul Thek Alvin Baltrop


Frieze LA
02.29.24 – 03.03.24


Tony Cokes and Dominique Knowles
Paris + Art Basel
10.18.23 – 10.22.23
Caitlin MacQueen and Puppies Puppies (Jade Guanaro Kuriki-Olivo)
The Dallas Invitational Art Fair
04.22.23 – 04.23.23

Frieze LA
02.16.23 – 02.19.23


Rochelle Feinstein
Art Basel Miami Beach
12.01.22 – 12.03.22
Olga Balema, Ann Craven, Caitlin Macqueen and Anita Steckel
Paris + Art Basel
10.19.22 – 10.23.22
Kate Mosher Hall
Frieze NY
05.18.22 – 05.22.22
Elaine Cameron-Weir
(Shared with LambdaLambdaLambda who presented Nora Turato)
Frieze LA
02.17.22 – 02.20.22


Olga Balema
(with Bridget Donahue Gallery)
Frieze NY
05.05.21 – 05.09.21


Barbara Kasten
(with Bortolami Gallery)
Frieze LA - Projects
02.14.20 – 02.16.20
Andy Robert
Cape Town Art Fair
02.14.20 – 02.16.20


D'Ette Nogle and Marcel Broodthaers
06.10.19 – 06.14.19
Andy Robert
Frieze NY
05.02.19 – 05.05.19
Group presentation
Frieze LA
02.15.19 - 02.17.19


Olga Balema and Andy Robert
Paris Avant-Première
10.12.18 – 10.18.18
Olga Balema
Art Basel Hong Kong
03.27.18 – 03.31.18